Three sonatas Uploaded by: takatsa Composer: Majer, Beno Organ: AVO - Farkasret Software: Hauptwerk V Views: 48
Three Interludes Uploaded by: palsorgel Composer: various Organ: Mascioni, Azzio (2016) Software: Hauptwerk IV Views: 36
Cantilène improvisée Uploaded by: dpapenbrock Composer: Tournemire, Charles Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 101
Festmusikk Uploaded by: dpapenbrock Composer: Takle, Mons Leidvin Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk V Views: 118
Processional (2018) Uploaded by: CarsonCooman Composer: Cattaneo, Pietro Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 65
Festive Prelude No. 1 (2020) Uploaded by: CarsonCooman Composer: Stevens, James Michael Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 71
Fantasie 'Psalm 42' Uploaded by: dpapenbrock Composer: John Propitius Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 241
Marian Sawa (1938–2005) — Three Dances in Old Style (Trzy tańce w dawnym stylu) (1998) for organ
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The Polish composer, organist, and teacher Marian Sawa (1937–2005) wrote approximately 800 pieces in various genres. His several hundred organ solos make him the most prolific organ composer in Polish music history by a large margin. As a sought-after specialist in improvisation, Sawa taught the subject for many years at several conservatories, most notably the Chopin Academy of Music in Warsaw. Building in a modernist manner on the Polish romantic musical tradition of Surzyński and Nowowiejski, Sawa continued their integration of fragments and phrases from Polish church hymns and folk music into works of serious concert music. Sawa’s personal style thus draws strongly upon traditional Polish music and Gregorian chant; to this is added influences from the Polish avant-garde, including block formal structures and improvisatory ideas of developing variation. Sawa’s personal vocabulary makes his music instantly recognizable, and the wide range of expression achieved across his output marks him as arguably the greatest Eastern European organ composer of the 20th century.